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"Stealing The Covers" out July 15th on Fat Wreck Chords. Within Punk Zine Review of "Stealing the Covers".
July 12, 2017
It seems hard to believe, but the boys in Teenage Bottlerocket aren’t boys any more: They’ve been a band for more than 15 years, and have spread their pop-punk gospel across the world through a series of killer records like Total and They Came From The Shadows and an equally killer live show, one that is packed full of sing-alongs and circle pits. What’s really wild is that the whole thing all started thanks to a well-placed CD-R.
“The very first tour Bottlerocket did, we burned a spindle of CD-Rs of our music and would give them to anyone who had any interest in our music at all,” recalls vocalist/guitarist Ray Carlisle. “We played Gilman Street, and David Jones from Enemy You was at the show. We gave him a CD-R, he brought it to the Fat Wreck Chords office and gave it to Toby Jeg, who then signed us to Red Scare.”
Despite the rise of social media and digital streaming services, Carlisle knows the best way to connect to music is through one-on-one connections like that—and this helped inspire the creation of Stealing The Covers, the Wyoming punk quartet’s new album, comprised of 14 songs all by bands Bottlerocket has encountered throughout their travels, from groups who share their same ZIP code to complete strangers who passed along a CD at a gig.
“The idea first came to light 10 years ago,” Carlisle says. As far as I can remember, my brother Brandon came up with the idea. We just thought, ‘Let’s do an album of doing songs by our friends’ bands.’ But some of these bands aren’t even our friends!”
For example, take the delightfully named “Shit Fuck God Damn” by Bremerton, Washington’s Artimus Maximus, a song played for Carlisle way back in 2003 by a friend in another band. He has been a fan ever since. “We have never met these dudes,” Carlisle admits. “I don’t know their names, I don’t know what they look like. We reached out to every band, and they’re the only ones who didn’t get back to us.”
Other lesser-known groups Bottlerocket paid homage to include Canada’s Varsity Weirdos (“The Way I Know”), San Francisco’s Onion Flavored Rings (“I Kill Butterflies”), Austria’s the Mugwumps (“Alien Motion Technology”) and Seattle’s HEAD (“No Hugging No Learning”), all of whom gave their blessing for their material to be covered.
“Most of our friends were just fuckin’ thrilled we were doing this,” the singer says.
After whittling down their original list of 32 covers to 14, the band—Carlisle, vocalist/guitarist Kody Templeman, bassist Miguel Chen and new drummer Darren Chewka—gathered at the Blasting Room in Fort Collins, Colorado, for eight days in early March to knock this record out alongside engineer Andrew Berlin (Descendents, Rise Against). This was the first time Bottlerocket had recorded together since the passing of Brandon Carlisle, the band’s original drummer and Ray’s twin brother, in late 2015, and the experience was as challenging as it was rewarding.
“It’s kind of complicated to jump into the studio and do a bunch of other people’s songs—changing keys to fit our voices, moving tempos around, running into stuff we wouldn’t have necessarily run into if we would have just written these songs ourselves,” Carlisle says. “A couple of the songs are weird. There are some songs we chose to do that were out of our comfort zone. But it was cool to go into the studio and take on this record together—everybody had their say. Darren started tracking his drums on Sunday, and he was done tracking his drums on Monday afternoon. He was a beast.”
The album will mark Bottlerocket’s return to Fat Wreck Chords after a brief but successful stint with Rise Records. As Carlisle tells it, there’s no place else the band would rather be.
“It’s almost as if we didn’t leave,” he explains. “We had everyone at Fat’s blessing to go to Rise in the first place, and we were really happy with the way everything worked out with Tales From Wyoming, but coming back to Fat is like being out of town and then coming back home. We just feel more comfortable on Fat Wreck Chords.
“It’s cool when Fat Mike texts me and says, ‘I fuckin’ love your new record. It’s better than your last two records.’ It’s like, ‘Awesome, Fat Mike. We didn’t write these songs,’” Carlisle says, laughing.
The band will support Stealing The Covers with a world tour this year, bouncing through Europe and Australia before landing back in the U.S., just in time for a prime slot at the Fest in Gainesville, Florida. Expect some of these covers to pop up in the band’s set, too—and maybe even some new originals.
“Kody and I have been writing a lot of songs, and we recorded two original songs recently as well for a new 7-inch out later this year,” Carlisle says. “We’re just gonna keep on rockin’ in the free world.”
There comes a time when things change either by a different musical direction or by line up changes,usually those changes are out of disputes or life's bullshit fate throwing a wrench in to a well oiled machine.When the untimely passing of one of the best and most unique punk drummers passed there was a void in all our hearts who have ever followed or liked Teenage Bottle Rocket.Brandon Carlisle was a complete beast behind the drum kit with break neck lighting fast breaks and snare and tom rolls that kept you head bangin literally all night long. What's iconic of Brandon's jazz wrist style is hard to follow up until now with Darren Chewka from "The Old Wives" filling in behind the iconic Bottle rocket sound.All previous Teenage Bottle Rocket songs where counted in with those blazing sticks and now have been replaced by long time guitarist Kody Templeman doing time in's in interesting ways. Stealing the covers is an concept album that pays homage to some of the bands that they have toured with or checked out along the way. What's so unique about this album is how different it is in direction and sound compared to "Tales from Wyoming" or "Freak Out". So what's so friggin rad about this album is taking the tightness of growing in sync over a decade and hoping in Doc Browns Delorean laying some serious rubber and taking back of what "Total" and "Another Way" was time warping back in a serious smoke show and throwing down one hell of an album.
As usual this starts off with "The Way I know" with some really different vocal ranges from Ray Carlisle which leads into "Back and Forth" the typical fast tempo chord that Teenage Bottle Rocket is known for with Kody Templeman leading vocals with Screeching Weasel influenced notes with anthem vocals that made me almost trash my keyboard rocking out to it.One of the best tracks on the album is "Don't Go" which has a really interesting indie punk vibe to it guaranteed to be the summers anthem theme.And hollyshit hold on to er! There's keyboards rockin out hard on this one with the most badass track on this entire album that had me smiling so hard I seriously don't think it's going to come of my face in a long time.Talking about time warping with some serious smoke show in that delorean "Robo cop is an Half breed Sellout" almost made my head explode. The intro synthesizer intro and wicked 8 bit chord throughout has the most iconic Devo sound I've have heard in a really long time with the sickest bassline and 80's breakdown.
"No Hugging No learning" has that school of Ramones sound that heavily inspired T.B.R but the take on this cover is awesome also that Devo meets the Ramones feel.covered from Seattle's "Head" If you where to pit stop on the Delorean you would probably pull over and slam a few beers to "Shit Fuck Goddam" that has that earlier Black Flag sound with a twist of early hair metal.
Gay Parade is so awesome I don't even have words for this tracks because it's so awesome,oh wait is that a xylophone in the middle of the track?
On this release there's also some weird directions that way different for Teenage Bottle Rocket that stand outs out on this release that's "Hat Nerd".
"I kill Butterflies" i could have sworn I was grooving out to The Dead Milkmen with that laid back surf style chords and groove baselines. The guys choose the third last track as the promotional video for the album which as a lengthy breakdown and that typical humor the guys are known for in their tongue in cheek good times."Going back to Wyo" is the most notable Teenage Bottle Rocket sounding cover on the album that references their home state of Wyoming.
Stealing the Covers is being released back to where it's family over at Fat Wreck Chords, with recording being done at The Blasting Room where true magic happens. Of course longtime studio engineer Andrew Berlin has done another outstanding killer album sound that resonates that feel good sound. I found myself quickly out of beer on this one and playing tracks over and over again like" Robocop" and "Don't Go".
There is certainly one thing for sure Teenage Bottle Rocket keeps putting out solid releases that define who their sound now "Shut up and get rad"!